The Relationship Between Mythical Literature And Modern Literature

You might have seen the existence of various styles in the field of writing. These styles offer a lot of variety to the readers so that they can admire the artistic creation. 

Be it fiction, non-fiction, history or any other genre of writing, all offer something new to the readers to read about. 

Various research paper writings have come up with the impact of myths on the literary world. Students might, therefore, need assignment help  while working on the topic.

Among the other genres of prose writing, myth is one such that facilitates the writing of works of fiction. In classical Greek, mythos signified any plot or story whether it was a true one or invented. 

However, on its modern significance, a myth is a story in the mythology (it is a system of hereditary stories of ancient origin which were, in the earlier times, 

believed to be true for a group of people from a particular culture and which then explained, making reference to deities and Gods, 

why world is the way it is and also provided the rationale behind various social customs and traditions and which also established certain rules according to 

which the people in a society must govern themselves  throughout their existence in their present lives). 

Most of the myths are related to the rituals of that particular cultural group that sets forms and procedures in scared ceremonies m, but there have been certain anthropologists, 

who in their research paper writing , have disagreed as to whether rituals generated myths or myths generated rituals. 

The myths have their protagonists as some supernatural entity- particularly God or some other deity. 

The stories where the protagonist is not some supernatural entity but a human being, are the traditional stories which are usually called not myths but legends. 

On the other hand, if the hereditary story concerns some supernatural being who are not Gods, and the story is not part of a systematic mythology then it is usually called folktale. 

Claude Levis-Strauss, the French structuralism departed from the traditional views that were used to describe just the treatment of myths within each culture, as signifying systems whose true meanings are unknown to the proponents. 

analyzed the myths of a particular culture as composed of signs which must be identified and interpreted by the cultural anthropologists on the model of linguistic theory given by Ferdinand de Saussure. 

The German intellectual historian Hans Blumberg’s Work on Myth is yet another influential contribution to the theory of myths. 

He proposes that the function of a myth is to help human beings cope with the inexorability of reality and the course of events- a need which is not outmoded by scientific advances and rationality.

 It is batted that the myths evolve according to the Darwinism of words in which the forms that cope up most effectively with the changing social environment are the ones that survive. 

The myths are conceived to be not as a collection of the final stories but as an ongoing work that keeps on changing and is expressed either in oral narrative or the written ones 

and also involve the diverse ways on which these narratives are received and appropriated.

All of us have been brought up listening to the stories that were once popular in our culture. These stories became the basis for justifying our own existence. Some say they are true but the ones who saw it do not actually exist. 

So there remains no validation to such stories and therefore they have been classified as myths. 

In other words, as M. H. Abrams says, we may call mythology as a religion that we do not believe in. However, when we turn our focus towards the literary world, it has been seen that the writers and poets have made use of these very myths in order to provide base to their stories. 

Although they do not believe them, yet they have persisted in using the myths of Jupiter, Wotan, Prometheus, Venus, Adam and Eve and Jonah for their plots, allusions or episodes. 

Today, when you see most of the modern poems, you see a great reference to these mythological figures. 

The term has also been used to denote some supernatural tales that are deliberately invented by the authors. 

In fact, philosophers like Plato used the concept of myth in order to project philosophical speculation beyond a point where the logic of certain knowledge ceases to exist. That is how they justify various logics behind certain actions of theirs. 

The Romantic author of Germany said that to write great Literature, the modern poets must focus upon these myths and develop a new unifying mythology 

which will combine all the myths of the world with the new discoveries of philosophy and physical sciences.

There have been a number of modern writers too, who have made use of these myths whether integrated or invented. 

James Joyce has done it in Ulysses and ‘Finnegans Wake’, T. S. Eliot has done it in Wasteland, and various other writers have deliberately woven their modern materials with the mythological ones. 

On the other hand, William Blake and W. B. Yeats undertook to construct their own systematic mythology as seen in Yeats’ The Second Coming and Sailing to Byzantium.

As time passed by and the middle of the twentieth century arrived, myth became the prominent term in the literary analysis.

The myth critics were a large group of writers who took into consideration the plot patterns and genres on literature, even including the highly sophisticated and real ones and viewed them as recurrences of basic mythic formulas.

Today the term myth has various applications in the contemporary criticism, as stated by various research paper writings. Thus, one must keep in mind the correct application in case he or she is working upon topics related to it. 

They are also used to denote some widely held fallacy, in addition to the purpose they serve above. Therefore, the points that have been discussed must be taken into special consideration of one needs effective assignment help.

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